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This website is a source of information and news about the poet Michael Symmons Roberts.

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'Soft Keys' re-published in new edition by Cape
Michael's first full poetry collection - 'Soft Keys' - was originally published by Secker & Warburg in 1993. Now, in a new edition, it joins his four later collections - and his two novels - as part of the Cape (Random House) list. Read more »

'Miracle on the Estate' wins TV Award
BBC1 film 'Miracle on the Estate', screened on Good Friday 2008, has received the Premier Prize for Television at the Sandford St Martin Awards, in a ceremony held on June 1st in Lambeth Palace, London. Michael wrote the libretto and James Atherton the music in this modern version of a medieval miracle play, performed by the people of Harpurhey in Manchester. It was directed by Chris Salt and made by the BBC in Manchester. Read more »

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The Half Healed
newly published in September '08' more >

   
 

Poetry

“In his gorgeously meditative collection, Corpus, Michael Symmons Roberts takes a cool, hard look at his own mortal coil, moving between images of his body ‘on the slab’ and glimpses of intimacy and absence.”
The Independent
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Libretti

MacMillan makes Roberts' words flow as naturally as psalm-pointing. One moment he is as desolate as Rilke ("came a single lightning bolt"), the next as subtle as Sappho or a Tang dynasty poem ("Under my shell was a smithereen of sun/ hidden in snow among wild yellow olives").…the effect is hypnotising.’
The Independent
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Broadcast

“The poet and dramatist Michael Symmons Roberts is an outstanding writer, whom radio has done much to nurture.”
Sunday Times
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FOX IN A MAN SUIT

Masked, gloved, brush tucked flat
against her back, faint with heat

this vixen is silent at soirees,
attentive to talk of defence, the public purse.

Emissary from the wild woods, agent
from the other side, she shakes her head

at wine, at canapés, she gags on human
stench, their meat and sweat.

When taxis come, she slips through kitchens,
drops to all fours (still in black tie),

sprints along the back streets
like a feral duke until she meets the edgelands

where – rubbed on the shuck of a tree –
her man-skin peels off

like a calyx and the sleek red flower unfurls.
Tongue drinks in the cold,

nose down in leaf mould, deep rush and tow
of attachment, of instinct. I, the only witness,

take this for a resurrection (body sloughed
and after-life as fox-soul), so I watch

in awe and slow my breath until
she catches sight and howls and howls.